Anne-Marie Wegh Quotes

“In Christian iconography, Jesus is often depicted with his index finger and middle finger raised. This gesture is commonly explained as blessing, but its origin and meaning are entirely obscure.

The remaining hidden symbology in art clears up this mystery: the two raised fingers express the merger of opposites. This gesture is supposed to make clear to us that Jesus made the two (energy channels) into one (the kundalini flowing in the spine).

Said otherwise: the masculine and the feminine in him have merged. The duality has been transformed into oneness. In him the sacred marriage has taken place.”

“In her gospel, Mary has Jesus use the image of the (re-)building of a temple, when he speaks about his future resurrection.

There are several clues that the temple of Solomon was not a physical building; among others the remarkable fact that during the building no sounds of tools were heard.

The temple was built in seven years, a reference to the seven chakras. For the interior, Hiram was enlisted.”

“Not only the kundalini energy but also the two energy channels that connect a person with duality, move in spirals upward, along the spinal column to the head.

The traditional hair style of orthodox (Hasidic) Jews refers to this: two curly strands of hair at both sides of the head. These so-called payot grow from the temples: the level at which the two energy channels merge during the sacred marriage. ”

“That we should see the resurrection as the finale of a kundalini process is expressed by Mary’s bodily movements. The hidden symbolism appears when we read the text carefully.

First Mary stoops down and looks into the tomb (verse 11). By the stooping down of Mary and the word 'into' appears the image of the kundalini energy that is 'coiled' up in the tomb of the pelvis.

When Mary comes back up again, she turns twice to Jesus (verses 14 and 16). This is confusing: why does she turn twice? This does not agree with our sense of logic. It is the intention of the author that this draws our attention, because her turning-movements have an important deeper meaning: she is depicting the 'kundalini serpent' that spirals upward to the crown.”

“The appearance of risen Jesus to Mary Magdalene, who visits his tomb, is moving and full of meaning. This event is described most elaborately in the fourth gospel.

Now that we know that Mary is its author, it becomes nothing but logical that she didn’t sum up this encounter in a few words, as did the other evangelists. All details were carefully chosen to tell us how we should interpret the resurrection.

During his lifetime, Jesus obtained an immortal light-body: the result of a completed kundalini process. In him, the two divine counterpoles united, and he became one with God the Father: I and the Father are one (John 10:30).

While still alive, he returned to the Paradise from which Adam and Eve were expelled. He was a 'master builder' and, like King Solomon before him, has made of himself an indestructible temple, to which physical death had no claim. All these aspects, Mary incorporated in the eight verses in which she described her encounter with him.”

“We see in the Bible frequently a circular movement to describe the rising kundalini. With the fall of Jericho, for instance, when God instructs the priests to walk around the city seven times, carrying the Ark of the Covenant.

With King Solomon, who builds winding stairs in his temple (1 Kings 6:8). With Samson, who is made to walk in circles to drive a grindstone (Judges 16:21).

Miriam, the sister of Moses and Aaron, performs a whirl-dance after the Israelites crossed the Red Sea on dry land. This whirl-dance, or mahol (from the verb hul, to whirl), is still performed by Jews during feasts and festivals.”