Demi Moore Quotes Page 3


 
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Best 74 Quotes by Demi Moore – Page 3 of 3

Inside Out Quotes

“Know that sounds like the perfect life. But as I would soon find out, if you carry a well of shame and unresolved trauma inside of you, no amount of money, no measure of success or celebrity, can fill it.”

Inside Out

“People can only be as good as they are, no matter how much they love you.”

Inside Out

“Taking responsibility for your own reaction is the gateway to freedom”

Inside Out

“Then I drove back to Carolyn’s house, where Ginny had stopped breathing in her hospital bed, and I took a few minutes alone with her, holding her hand. I didn’t cry then, and I didn’t cry when I went into the little bathroom off her room and closed the door. I had a rush of clarity as I stood absolutely still. All of the emotions that I felt toward Ginny—my anger, my pain, my hurt—were mine. The vessel for them was gone now. Whatever her issues were, and God knows there were plenty, she’d taken them with her. It was a liberating moment. I was flooded with compassion for the pain she had held all her life and had no way to work through or overcome. I felt sad for this wounded child who had never developed beyond the emotional level of a teenager. That understanding freed me to start to be more forgiving toward myself, and to quit working so hard not to be my mother.”

Inside Out

“They divorce and years later the dad mellow as men tend to when they get older. You know the kind. They're assholes when their young then they get sweet when they age. It's the mother who seems bitter and unpleasant by comparison but, he's the one who made her”

Inside Out

“Things happen in life to get our attention, to make us wake up. What does it say that I had to lose so much before I had to break down enough to rebuild? I think it says that the thing that got me here—this incredible toughness—was almost the thing that did me in. I got to a place where I could no longer just muscle through; I could either bend, or break.
I got here because I needed all of this to become who I am now. I had been holding on to so many misconceptions about myself all my life: that I wasn't valuable, that I didn't deserve to be anywhere good, whether that meant in a loving relationship on my own terms, or in a great film with actors I respected who knew what they were doing. The narrative I believed was that I was unworthy and contaminated. And it wasn't true.
There are two reasons I wanted to tell this story, the story of how I learned to surrender. First, because it's mine. It doesn't belong to the tabloids, or my mom, or the men I've married, or the people who've loved or hated my movies, or even my children. My story is mine alone. I'm the only one who was there for all of it, and I decided to claim the power to tell it on my own terms. The second reason is that even though it's mine, maybe some part of this story is yours too. I've had extraordinary luck in this life, both bad and good. Putting it all down in writing makes me realize how crazy a lot of it has been, how improbable. But we all suffer and we all triumph and we all get to choose how we hold both.”

Inside Out

“Think we treat the people we love the way we believe, in our deepest hearts, that we deserve to be treated ourselves.”

Inside Out

“Unfortunately, even as we try to submerge our pain deep down inside, it finds a way to bubble up: Through addiction. Through anxiety. Through eating disorders. Through insomnia. Through all the different PTSD symptoms and self-destructive behaviors that assault survivors experience for years on end. These incidents may last minutes or hours, but their impact lasts a lifetime.”

Inside Out

“Unlike what people imagine about addicts — that you have one drink and everything comes crashing down — in my case it was a gradual downward spiral.”

Inside Out

“We all suffer, and we all triumph, and we all get to choose how we hold both.”

Inside Out

“What I admired most about A Few Good Men was the originality Aaron Sorkin and Rob Reiner showed by not having my character and Tom’s get involved in anything romantic, or even unprofessional. There was an expectation at that time on the part of studios and audiences that if an attractive woman showed up on film, it was only a matter of time before you saw her in bed with the leading man, or at least half naked. But Rob and Aaron had the nerve to buck that convention: they thought this story was about something else, and they were right. Years later Aaron told a film school class: “The whole idea of the movie was that these young lawyers were in way over their heads and two Marines were on trial for their lives, so if Tom Cruise and Demi Moore take time out to roll in the hay, I just didn’t think we would like them as much for doing that.” Sorkin said he wrote to an exec who had been lobbying hard for a sex scene. “I’ll never forget what the executive wrote back, which was, ‘Well if Tom and Demi aren’t going to sleep together why is Demi a woman?’ and that completely stumped me.”
I loved that my character didn’t rely on her sex appeal, which was certainly something I hadn’t encountered very often in my roles. They presented a woman who was valuable to her colleagues—and to the story itself—because of her competence.”

Inside Out

“What if everything hadn’t happened to me but had happened for me? What I learned is that how we hold our experiences is everything.”

Inside Out

“When I hear about people who’ve had the same friends since kindergarten, I can’t imagine what that must be like.”

Inside Out

“When you are afflicted with a disease, you can’t just decide not to have it, no matter how miserable it’s making you.”

Inside Out

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